Those directors who got their start in Corman’s film factory tended to include Miller in each new film they made, a sort of good-luck talisman towards box office success. It is reported that he has upwards of 200 credits to his name, and I have no reason to doubt it. If they were showing another one of Roger Corman’s grind-’em-out epics, Miller was certain to be in it, livening up whatever role, large or small, he was given. It was all because of “Double Chiller Theater”, a Saturday night marathon of no-budget horror films that Channel 6 ran from 11:15 PM to 3 or 4 AM Sunday mornings in the early 60s. That means six more weeks of gridlock.Īs a kid I was aware of actor Dick Miller as much as I was Lugosi or Karloff or Lee. Mitch just stuck his head out from his hole and saw his shadow. I sure would hate to be an expansion joint right now. Looking dazed and confused are co-stars Jack Webb and Peter Leeds (who often worked with Stan Freberg on his classic recordings ).
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On YouTube I suggest you check out NBC's All-Star Review, broadcast on that has them as hosts and gives quick glances of the TV technology of the era. Between them and periodic appearances by a low-key Edgar Bergen and Charlie McCarthy, in the laugh department the film is from hunger. Only they stand out in a clutter contract-actors including Adolphe Menjou, Kenny Baker, and Bobby Clark. Their best film was the Goldwyn Follies, a mixed bag of highbrow pretension and lowbrow comedy.
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The Marx Brothers hung out in a real world but the Ritz Brothers were torn from the comic pages and doing Smoky Stovers only better. The Ritz Brothers were the Tex Avery of comedy, pure uninhibited id running amuck singing gibberish, eccentric dancing and pulling faces. Buck Henry died yesterday after a long illness at 89. Oh, yeah, and he helped define Saturday Night Live in its nascent days years when it was funny and subversive before it became unfunny and corporate. In his final years he did a lot of guest spots on television, shows from Will and Grace and 30 Rock. He made not so much money from Captain Nice in 1967 and Quark a decade later and which I kinda liked. From 1965 through 1970 (and beyond) he made a lot of money as the co-creator and head writer for Get Smart with Mel Brooks. He was a cast member on the old New Steve Allen Show way back in 1961. He wrote the screenplays of The Graduate, Candy, Catch-22, and many more. But Buck Henry was much more than a saber rattler with a rapier wit. I knew him from 1964–65's 'That Was the Week That Was,' the satiric TV show that was sponsored by the Republican Party who would buy the airtime and then pre-empt the show. 'Well, would you Believe Buck Henry is Dead?' Trapped by the Coke-a-cola virus, Pearl and I are just hanging around the house and watching the paint dry.
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I watch so much tv now that a nurse practitioner has to come in twice a day to rotate me in my BarcaLounger so I don't get bed sores. Later he landed in a (too) similar role in The King of Queens.
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Bombastic, hot-tempered and roiling with righteous indignation, Frank also has the distinction of creating his own holiday, Festivus, which moved over into the real world to become the second most celebrated holiday after Halloween. Films included The Taking of Pelham One, Two, Three and John Waters’ Hairspray where he was husband to Divines Edna Turnblad.īut he achieved lasting fame as Frank Costanza, the father George Costanza on Seinfeld. The 1970s found him working on Broadway with The Ritz and Hurly-burly among the more notable. A common man’s Nichols & May, Stiller & Meara were always a welcome attraction on the Ed Sullivan Show. There he met his future wife and partner in comedy Anne Meara who died in 2015 after being a mother to comedian Ben Stiller and his sister Amy. After serving in the Army, he took up acting in the theater. And his life mirrored that of many males of that era, formed by a depression and a World War and all the crazy twist and turns that followed. Stiller was New York through and through. Sure, he was 92 and had a long successful career, but it’s just another nail in the coffin for that 60s style of comedy duos that entertain so many millions when TV had an endless stream of variety shows on every night of the week. First, it is time for the airing of grievances.